To Carry On

It’s usually a personal crisis that overwhelms the creative ability; world events hardly ever. But now we humans are facing devastation from a surprisingly effective enemy, borne of a pathogen far less harmful to its original and entirely innocent host species (most likely a bat). And now fear, suspicion and paranoia are themselves spreading like a virus. You only need to see reports from continental Europe to believe we’ve already arrived at the dystopian future envisioned by many an SF writer. Thus the drama of reality can make writing fiction feel redundant.

But I try to carry on.

Being a writer means writing even when you don’t feel like it, those days when the muse just isn’t there. Days when it really feels like hard work. But I admit it, I’m faltering; struggling to find inspiration; can’t get into the fiction writing mode.

Inspiration was no problem with my first novel. If anything I felt overwhelmed by ideas, tried to pack so many into the narrative it read like three stories juxtaposed. A bit of a mess, admittedly. The second was more disciplined but still convoluted. And beyond I saw the need to narrow down the focus, with fewer POVs.

Now on my fifth I did the ultimate reduction to a first person perspective. Unless you’ve had some incredible interesting life to draw from, there is no challenge comparable in creative writing. It takes a whole new level of self-discipline. And I’ve certainly been struggling with that. I’m sure it helps to plan the structure of your novel; I started with a scene from the end but no idea how I will get there.

I read and listen with despair those writer/novelists who say they start at a certain time each morning, write for 5, 6 hours or set themselves a goal of 1500 words. I will, as long as I live, never be like those writers. They are people I admire as an amateur cyclist would a tour champion.

Links to my published fiction: The Captured (US) The Captured (UK)

Time Over (UK) Time Over (US)

Worlds Beyond Time (intro)

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