….is knowing what to leave in, or cut out.
On that (possibly) final draft, when I’m feeling confident, I rewrite with ease, often thinking: that so obviously needs changing, how could I not have seen it before? So another paragraph further honed until I’m happy with it – again. But the thought of having to cut said paragraph seems, well, unconscionable. This is common; it must have given rise to that troubling phrase “kill your darlings.”
What precious sections were in need of cutting only becomes apparent when it’s too late. I recently noticed a new review for my novel Time Over, having assiduously avoided reading them lately (I find it’s generally best not to read my own reviews, and certainly while the next book is in progress). I just happened to see the word edit (or editing); it was enough to make me turn away and click off before I could see any more words of that damning indictment.
The problem is, one reader’s self-indulgent dross is another’s profound insight. At least that’s what you tell yourself … to keep the darkness at bay. But really you can’t strike the same cord with everyone. Yet there is a standard, and maybe this is why a professional editor can be valuable.
But if my latest book does go to an editor, it would be tempting to tell them: “I accept all the amendments you advise/the corrections you’ve made. Just don’t let me see them.” Then I am spared the potential pain of seeing my creation ripped apart.